Showing posts with label Slow. Show all posts
Showing posts with label Slow. Show all posts

Friday, May 27, 2011

Retrospective: Om and Earth

Retrospective: Om and Earth

I was recently looking through some of my records and decided I wanted something long, drawn out, and atmospheric. My first thought was Yawning Man, but I decided that that just didn't feel right and more importantly would have too much going on. The next thought went to Om, but again, even with its simplified style, it seemed to heavy, too loud, too crowded. The one I ended up deciding on was Radio Live by Earth. I was pleased with my choice (The second and fourth tracks in particular were perfect) but I was left wondering just what made Earth seem more minimalist. They have more instruments, more bandmemeber's, and much more improvisation. I think what really did it for me was the physical connotation of the word minimalist. While Om doesn't always do "Put it to 11" sound, they usually get there in a song, and although its just two people, its no "minimal" sound. It's a "maximum", flooring, and commanding sound. As hugely entertaining as I find songs like Junkyard Priest (Great name for a song), it really never seems to have the same dynamic rise in sound. It sits where it is, a simple riff that might float off for a couple of bars before returning back to its origin. Consider also a previous song i had reviewed by Earth, the rolling Tallahassee. I had made specific mention in the review of the "hugeness" of the song, of it's pure physical power, and although it could certainly be less complex, and more raw than Junkyard Priest, it is not in my opinion more minimal, or more droning. The label "drone" and to an extent "minimal" make me think more of passive sounds and landscapes, in both the complexity of the melody and the volume of the song. Although Om may stay close to one theme, there dynamic complexity and change in tone's during songs make it much more active while Earth's static volume and complexity make it "Droning" and almost easier to listen to.

Here are those two songs that I found particularly enjoyable in their own "Minimalist" and "Drone" way, even if I don't fully understand those terms myself. It's also important to note that Radio Live is a "live" album and that the band actually does less live, than it does in studio. I'll leave the two versions of Omens and Portents up for variety and comparisons sake.

Omens and Portents II: The Carrion Crow (Live)


Omens and Portents II: The Carrion Crow (Studio)


Junkyard Priest

Wednesday, May 25, 2011

Double Header: The Dawes Part Two

Peace in the Valley – The Dawes – North Hills

For the second part of the double header I thought about reviewing one of the Dawes more country songs (Western Skyline), but actually chose one that represents another side of the ban where they kick in a little grit in the guitar tone and get down to some bluesy music. Don't get the wrong impression; it’s not B.B. or Freddie king, but it does drop into some heavier toned, darker, stuff, especially when paired against it poppy review companion When My Time Comes.

Clearly, I’m a big fan of bands that can put some attitude and emotion into their music, and while that’s certainly something I love about the song I also think its placement in the album makes it even more appealing and powerful to me. Instead of going out with lyrics and the spoken word, where the album (and half of the song) is really centered, it ends the album with a spacious, thoughtful sound. Guitar tones are sustained and bent, reaching high and hitting low hard. It really is like the image of "peace in the valley", a quiet spacious expanse that is below normal ground, the lyrics and speaking and voices of that proliferate the album before it. It's interesting that the Dawes choose to fill this peaceful place with such an emotive, hard, guitar tone and I think it really speaks to the final lines "If I don't find peace in the valley, I've got no place else to look.". Much like the rest of the album it takes on a reflective tone (When My Time Comes is mostly written in past tense, and is a self narrative), the last line seems to say that if he can't find peace in the valley, where he's the only person there, where else will he find it. Sadly when the vocals drop away we don’t find peace, instead we hear the long tormented wails of a guitar, rising and falling, until the end. It signals a sad realization that sometimes the trouble you find in the world is trouble you bring to it. Enjoy.

Song Here

Saturday, May 14, 2011

Live Performance Special: In the Valley

In the Valley - Chief - Modern Rituals

My last few posts have really been moving towards a more summer feel, and this song is certainly following this trend. More along the calm bittersweet side of the summer feel than upbeat and optimistic, more "The Good Times are Killing Me" than say "Use Me" as an example. It has a very calming California sound but also its message definitely focuses on loneliness. I guess its kind of finding sadness in a good place, and that the sadness isn't from the setting, but from yourself. Just "Sitting in the valley alone". Anyway you cut the meaning, the band really performs well live, the vocalist is fantastic in a mellow singsong way that is not overblown or over dramatic. It's as though he's just singing to himself, but with real shine and beauty in his voice. Enjoy.

Song: Here